Scott Kirsner Predicts the Future
Yesterday I watched Mike Curtis' video of a Sundance 2007 panel on "Rights Licensing in the New Era of Distribution" which was moderated by Scott Kirsner of Cinematech. Kirsner is also the author of "The Future of Web Video" which details the current and potential landscape of money making possibilities for content creators on the Internet. The book, which I consider an absolute "must read" for indie content creators, is extremely detailed and timely, but it may not, from the onset, appear to paint the picture indies want to see.
There are no pots at the end of the rainbow to be found in the numerous interviews and detailed analyses of video delivery services. While there are, written therein, some success stories such as the "Extreme Diet Coke and Mentos" videos earning as much as $25,000 from pay per click advertising, it should be noted that a television program that could garner as many views as those videos would be worth hundreds of thousands if not exceeding a million dollars. The panel at Sundance, though, shows that much of what is written in the book is already coming true.
One thing that is clear from both the book and the panel is that no one has all the answers. Everyone is still trying to figure out the best methods to help advertisers find their viewers and help reward creators for works that gain large audiences. One thing that was very positive at this panel was that there was considerable focus on the indie. While we may see some large organizations catering only to the Disney's and ABC's of the media world, there are those in power who wish to to truly democratize the content market and let content stand on its own merit. This led me to look at sites like efilmonline.com and metacafe.
Efilm Online is basically like an Ebay for independent film. You could put up a film at whatever level of completion, even as "looking for investment", and buyers surf the market looking for projects. Their front page boasts the sale of a documentary "Rats and Bullies" which has a top bid of $675,000. As a creator, you pay a monthly fee to list your products which will then be on their market available to buyers worldwide.
Metacafe serves videos directly on the web, similar to Youtube, but they share revenue with the creators who sign up for their Producer's Rewards program, which is free. Basically, if you get 20,000 views, you get $100, and from that point you continue to earn $5 for every 1000 views. If you get 2,000,000 views, you earn $10,000. Granted, it's not cable TV, where a show like Stargate has less than a million viewers but charges over $100,000 for a single ad slot, but I can say that there are people on Metacafe who are earning enough to make a living from their work. One of their top producers has earned over $20,000 in the last three months doing quick little massage video clips. There is a video about candles that just want up today that has already earned $338 dollars. Most of the videos seem to be crazy stunts and how-to clips, so can an original animated show do well there? One simply has to try it and find out.
"The Future of Web Video" certainly looks brighter than I originally thought upon my first reading of the book. It's only a matter of time before these different sites, covered in detailed Kirsner's book, figure out the ideal formula. We may find that these sites are just what the digital doctor ordered.
There are no pots at the end of the rainbow to be found in the numerous interviews and detailed analyses of video delivery services. While there are, written therein, some success stories such as the "Extreme Diet Coke and Mentos" videos earning as much as $25,000 from pay per click advertising, it should be noted that a television program that could garner as many views as those videos would be worth hundreds of thousands if not exceeding a million dollars. The panel at Sundance, though, shows that much of what is written in the book is already coming true.
One thing that is clear from both the book and the panel is that no one has all the answers. Everyone is still trying to figure out the best methods to help advertisers find their viewers and help reward creators for works that gain large audiences. One thing that was very positive at this panel was that there was considerable focus on the indie. While we may see some large organizations catering only to the Disney's and ABC's of the media world, there are those in power who wish to to truly democratize the content market and let content stand on its own merit. This led me to look at sites like efilmonline.com and metacafe.
Efilm Online is basically like an Ebay for independent film. You could put up a film at whatever level of completion, even as "looking for investment", and buyers surf the market looking for projects. Their front page boasts the sale of a documentary "Rats and Bullies" which has a top bid of $675,000. As a creator, you pay a monthly fee to list your products which will then be on their market available to buyers worldwide.
Metacafe serves videos directly on the web, similar to Youtube, but they share revenue with the creators who sign up for their Producer's Rewards program, which is free. Basically, if you get 20,000 views, you get $100, and from that point you continue to earn $5 for every 1000 views. If you get 2,000,000 views, you earn $10,000. Granted, it's not cable TV, where a show like Stargate has less than a million viewers but charges over $100,000 for a single ad slot, but I can say that there are people on Metacafe who are earning enough to make a living from their work. One of their top producers has earned over $20,000 in the last three months doing quick little massage video clips. There is a video about candles that just want up today that has already earned $338 dollars. Most of the videos seem to be crazy stunts and how-to clips, so can an original animated show do well there? One simply has to try it and find out.
"The Future of Web Video" certainly looks brighter than I originally thought upon my first reading of the book. It's only a matter of time before these different sites, covered in detailed Kirsner's book, figure out the ideal formula. We may find that these sites are just what the digital doctor ordered.







7 Comments:
Thanks for the information.
I have no more excuse. I just got Anime Studio Pro! It's crazy. I'll probably order that book soon. It's good to see that there are many viable ways to get content out there. MetaCafe sounds great.
It is definitely clear that no one has all the answers. There are still people creating their own lanes and making money. Looking forward to the next Anigen series, keep this positive, informative blog going. I'll eventually read the rest of the archived posts. I already found and read so much stuff that will help me with my project.
Any of word on that freedom-project.jp film? Did it come out yet?
Interesting article and viewpoints Terrance. Web is now the only major way for a newbie filmmaker to communicate with his audience. Youtube certainly has it's share of popularising this media.
Take for instance, my case. I have done a 30 mins film on the mainstream genre of fairy tales. It's called 'Hansel & Gretel', I will be released in India as DVD but I don't know about the other parts of the world.
So, I'm premiering a one time limited private show of the entire film on Youtube to showcase it to my small audience.
Just a few years back, this was undreamable.
Revenue can be generated in many ways and it is folks like us who can pave the way, folks like Terrence and MDotSTrange as well as the rest of us wanting to create films.
Sometimes I think we should get these folks together and we simply create a banner under which we all make films.
Kind of like Image did back in the day when they left mainstream comics. They took artists who wanted to go indie, put them together, they created creator owned comics and Image was born, a small company which rivaled the big 2. Marvel and DC and that is comics, imagine movies...we could someday rival the big 5 (Sony, Disney, Fox, Warner Bros, etc)
Okay not rival but become number 6. Hey Image came from nowhere and became number 3!
I think you can generate revenue off your cartoon. Just got to find a niche and start there. I am hoping to go Itunes at first, they are trying to fill the video gap and content so good place to start.
Satyajit did a great job on Hansel and Gretel. Looked very good and at 30 minutes in 6 months is not bad. Imagine what he could do in 2 years.
Terrence I think it would be awesome to test the waters with your two finished works, put em up on Newgrounds and Youtube and recreate a buzz. I'd love to see how that would go.
Man guys, I hope to join your ranks and put my business plan into action.
I am missing one peice to my movie and cannot find the right style for the film....if you know an artist, hook me up please!
Seen the new teaser trailer for the Ninjai Gang's (the guys behind the Ninjai animation) live action movie, Karma Kula?
http://www.karmakula.com/?action=trailer&url=teaser_02&p=fl
It almost looks like some big-budget Hollywood movie.
Casper - That Karmakula teaser is impressive. I would love to find out what they shot on. Interesting to me since Canon announced a small form factor HDV camera in the $1100 price range with true 24P recording and Cinegamma color curves.
Black Magic also has $250 cards now that let you capture directly from camera like this, or the one I have, via HDMI, bypassing the HDV limits and getting raw 4:2:2 data on the hard disk.
Shawn - There is an interesting article in WIRED today about how indie music labels are joining forces under banners like Merlin and gaining the power to compete with the majors, getting real radio play and breaking down those doors which have traditionally locked indies out of the business.
Karma Kula is so cool! I really would love my Bigfoot vs Greyaliens to look like this. It's live action with puppets. So is it a filter on the camera that gives it that look or a filter in the software? What gives it that awesome look?
Terrence,
I'm telling you we should start a banner of artists making movies. Who knows where that could go? Just a thought. There is power in numbers. :)
Yes. You can quote me on your blog. I don't have an account on Twiiter though...
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